B&W shooting tips...

皮球

This was in a Vistek ad…some cool tips you may want to use.
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' E9 D1 g2 z) p& x) I* J. K0 ^Digital Black and White
7 C% Y  B9 i: I  \. @Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
' i  O" x2 r' g1 E% A: t* G$ MUse the shadow and highlights tool in a RAW software program to
2 K3 f. q& n. o4 V- ?+ G/ @+ P( erestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
% ]# S& S3 y/ P/ a0 Jmethods provided by RAW and you'll have a correctly exposed black
+ a8 b6 z: z4 C5 z) iand white image.

2 z: w  X3 B2 S& F( ^. S5 G- K- D4 ]; AWhite Balance
If in need of a quick white balance tool, you can use a standard
  v" b6 N  w/ L: H, u* e1 G( J. }. h( Swhite coffee filter. Use the custom camera white balance while aiming
/ R: ^  U" [* W0 w5 Y9 Nthe coffee filter and lens to the opposite of the light source to get white
/ Y0 `2 `, G4 r2 obalance. I always keep coffee filters in my camera bag for
  i* Y# H% L# _such occasions.

Pseudo ISO Boost
If you’re shooting in the dark at a concert venue and need more
ISO boost from your camera and faster shutter speeds - choose
the highest ISO setting on your camera and underexpose your image
1 S. |( _0 {- k; S2 G- hby one stop. Then you can use a RAW processor to overexpose the
image by one or two stops. Image noise may be higher but this
3 |4 K- V; U( {  `works very well for concert, venue and event shooting.

NTSC

yliangca

操作性比较强，最好有图解，没图比较难理解。