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This was in a Vistek ad…some cool tips you may want to use., F) s) G' |* O0 `0 u" y
; g. i4 C: `6 A) P) ZDigital Black and White
$ Y' |4 B% W. l; w& L! GShoot in RAW and underexpose your image by 1/2 stop to a full stop.5 u1 K4 d9 j% e* J
Use the shadow and highlights tool in a RAW software program to! H/ T w/ l% h. M) q- b
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
1 I* e2 e1 \# amethods provided by RAW and you'll have a correctly exposed black
( b/ R3 x) \( j- X8 Jand white image.
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White Balance! W( ~( _, ]4 J
If in need of a quick white balance tool, you can use a standard: Z4 S1 ]6 T; B/ L
white coffee filter. Use the custom camera white balance while aiming& E% a! R* b( F; l2 u) m
the coffee filter and lens to the opposite of the light source to get white
# |' e1 U+ I) A9 ?* u. ibalance. I always keep coffee filters in my camera bag for
' J/ q9 m2 V fsuch occasions.
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Pseudo ISO Boost
: l3 D5 ]) o. m3 L, \" aIf you’re shooting in the dark at a concert venue and need more
4 e0 }1 ]( Z/ N( sISO boost from your camera and faster shutter speeds - choose ( ]; k9 @# V4 _8 H" L3 ?
the highest ISO setting on your camera and underexpose your image$ d; y3 Z& {8 ?) H8 C
by one stop. Then you can use a RAW processor to overexpose the4 m6 ?; |8 \9 a' {* a! d
image by one or two stops. Image noise may be higher but this Z) i6 ~( p# l1 W/ C7 F! m
works very well for concert, venue and event shooting. |
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