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This was in a Vistek ad…some cool tips you may want to use.
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' E9 D1 g2 z) p& x) I* J. K0 ^Digital Black and White
7 C% Y B9 i: I \. @Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
' i O" x2 r' g1 E% A: t* G$ MUse the shadow and highlights tool in a RAW software program to
2 K3 f. q& n. o4 V- ?+ G/ @+ P( erestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
% ]# S& S3 y/ P/ a0 Jmethods provided by RAW and you'll have a correctly exposed black
+ a8 b6 z: z4 C5 z) iand white image.6 ^ k @/ }# K. R
2 z: w X3 B2 S& F( ^. S5 G- K- D4 ]; AWhite Balance% y0 ^# b5 r. g$ k3 F) t5 @2 Y
If in need of a quick white balance tool, you can use a standard
v" b6 N w/ L: H, u* e1 G( J. }. h( Swhite coffee filter. Use the custom camera white balance while aiming
/ R: ^ U" [* W0 w5 Y9 Nthe coffee filter and lens to the opposite of the light source to get white
/ Y0 `2 `, G4 r2 obalance. I always keep coffee filters in my camera bag for
i* Y# H% L# _such occasions.* ?/ r4 R1 K2 ?+ W9 q
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Pseudo ISO Boost' z( p; O4 h% c8 T* m, V H# i: `
If you’re shooting in the dark at a concert venue and need more9 _; m& B( q8 _* b* Y- c
ISO boost from your camera and faster shutter speeds - choose 7 ? K h7 Y" K4 Q# N3 `/ w, @
the highest ISO setting on your camera and underexpose your image
1 S. |( _0 {- k; S2 G- hby one stop. Then you can use a RAW processor to overexpose the# c, g( y! q2 |' @$ q, d5 D
image by one or two stops. Image noise may be higher but this
3 |4 K- V; U( { `works very well for concert, venue and event shooting. |
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