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This was in a Vistek ad…some cool tips you may want to use., x2 o" ^) p# q# w+ c; V- S
* q4 A' R1 O0 f9 j- b4 ~' RDigital Black and White. ~2 P' x: J. G2 X' b2 Z- N
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
! A; w! a) r/ E& X3 r* ~Use the shadow and highlights tool in a RAW software program to; S' B. M& q5 q' ~+ M! M
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
, d0 D+ B7 B% P: V8 ^methods provided by RAW and you'll have a correctly exposed black
1 D( ?2 J9 @8 C6 Z! k( w3 P, Tand white image.
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White Balance( i9 q; M: n% w8 V( z' {# r
If in need of a quick white balance tool, you can use a standard
: I- i6 u. B1 _7 {. x! ^! D6 _/ ewhite coffee filter. Use the custom camera white balance while aiming9 F, B X" @* ]( ]" Z
the coffee filter and lens to the opposite of the light source to get white/ X9 `9 W( K; P
balance. I always keep coffee filters in my camera bag for- K# T2 ]! O V/ W( ~! }
such occasions.# `9 q" C$ }8 j% n* Z
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Pseudo ISO Boost
' L2 ^3 }5 A1 kIf you’re shooting in the dark at a concert venue and need more
! }8 N% C9 }% u3 P- dISO boost from your camera and faster shutter speeds - choose , C' k7 v# R( `& J
the highest ISO setting on your camera and underexpose your image
2 k% x+ ~ l3 }" s# l! ^ q. Nby one stop. Then you can use a RAW processor to overexpose the
% k1 E4 s. t# u( a% J: D2 b/ Yimage by one or two stops. Image noise may be higher but this
6 y5 C' j# X: r5 S. e, [works very well for concert, venue and event shooting. |
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