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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White6 G+ R1 E( z- G! W( s+ o# B
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.# @! [& p* h2 G+ P# i, e
Use the shadow and highlights tool in a RAW software program to u6 n7 v$ C- {, M
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White8 `$ t0 Z4 p' ]/ M, s
methods provided by RAW and you'll have a correctly exposed black
7 ~/ f' A& s3 jand white image.
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" @' k, @" w, T" r# _+ N) M5 E) L' rWhite Balance7 A4 u; ~1 v; \ j
If in need of a quick white balance tool, you can use a standard
+ J+ d* h. ~% E! x. a" B* x! Iwhite coffee filter. Use the custom camera white balance while aiming
) ]$ l' F! G) E% e' x0 kthe coffee filter and lens to the opposite of the light source to get white
2 ]8 w, ], P8 n1 P- @% lbalance. I always keep coffee filters in my camera bag for+ z. ~" S. e/ i# `' n% @) _
such occasions.
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Pseudo ISO Boost
( h+ G2 v; q, M) p* RIf you’re shooting in the dark at a concert venue and need more
% d7 i2 f& y; r6 T u( L- e9 }: P( fISO boost from your camera and faster shutter speeds - choose
& B R3 c( [9 }; A4 m3 t$ u: xthe highest ISO setting on your camera and underexpose your image
, x0 m$ Y1 q9 sby one stop. Then you can use a RAW processor to overexpose the0 [2 s0 g8 {/ `2 H* e& D0 \1 u' U, r' |
image by one or two stops. Image noise may be higher but this3 e1 ^9 k3 I y/ S
works very well for concert, venue and event shooting. |
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