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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
# {! Q# x# n7 M3 W0 QShoot in RAW and underexpose your image by 1/2 stop to a full stop., D$ V3 u9 [6 {, N m6 h
Use the shadow and highlights tool in a RAW software program to
- Z# r1 \ }% [# c4 W7 `restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White# }2 Q6 n+ N! q7 K" ^$ ~8 |
methods provided by RAW and you'll have a correctly exposed black
v6 I/ D6 Y5 j8 |* ]and white image.
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# C1 w/ u8 B( _; h! ~! IWhite Balance/ z; F8 Z: b" Q+ h
If in need of a quick white balance tool, you can use a standard8 C% Y1 Q1 ~$ g& X
white coffee filter. Use the custom camera white balance while aiming, i* [8 M/ x( @* v" C8 v6 O
the coffee filter and lens to the opposite of the light source to get white
# c" k- v! e m$ M5 J% ybalance. I always keep coffee filters in my camera bag for# F# N# X$ H( f5 l
such occasions.
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Pseudo ISO Boost& \& b S' l9 J, [
If you’re shooting in the dark at a concert venue and need more
9 { e: E3 q6 {# R0 m( IISO boost from your camera and faster shutter speeds - choose
* A9 Y" L9 l! I) j3 Rthe highest ISO setting on your camera and underexpose your image: Q7 g" n. f+ i9 s2 M- w
by one stop. Then you can use a RAW processor to overexpose the
0 T, E+ t8 ~" Y. b% ^; Uimage by one or two stops. Image noise may be higher but this8 F( J+ ~* D. w; G X' o
works very well for concert, venue and event shooting. |
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