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This was in a Vistek ad…some cool tips you may want to use.
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6 t) ^( a1 X- W# jDigital Black and White, C0 m# y- c) K/ i# V! y
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
/ t$ D# @* g+ D" `7 EUse the shadow and highlights tool in a RAW software program to. X4 |3 @+ B1 {" Q0 r% j' J
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
' X- I7 d1 l. h3 U3 H; H4 @methods provided by RAW and you'll have a correctly exposed black
" ~ `4 ]9 H5 @' F' Nand white image.
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7 S t$ C R- Z6 {" M1 f8 |; `1 tWhite Balance; S+ u* c0 x; b+ M: P7 o& h
If in need of a quick white balance tool, you can use a standard' d! j1 w, O7 F! ^
white coffee filter. Use the custom camera white balance while aiming7 N: a0 _7 B, S
the coffee filter and lens to the opposite of the light source to get white
' ?1 R1 Y0 w' k# V- mbalance. I always keep coffee filters in my camera bag for5 ]" D: R+ _2 l* L% ^* {' w
such occasions.5 H" y7 k3 Y6 f4 W+ w$ A. Z
$ p, t7 G3 f4 fPseudo ISO Boost
! V9 ]# l$ J7 z3 j7 mIf you’re shooting in the dark at a concert venue and need more
6 m% e% C* ]' m* {ISO boost from your camera and faster shutter speeds - choose 4 q, x( W1 ~! w# ?# r
the highest ISO setting on your camera and underexpose your image
) M: C* B2 ?" g+ J7 F8 R$ `- F# Yby one stop. Then you can use a RAW processor to overexpose the
4 M$ Y2 ^ s/ ^' u: A4 Y/ Uimage by one or two stops. Image noise may be higher but this
, [2 _* q9 B8 {works very well for concert, venue and event shooting. |
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