D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
$ T8 E2 j$ I6 [: ]( ^& Sof the new Nikon D800. Established medium-format image quality is
3 e. }% J1 [& e. t  onow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
( o2 ^/ g5 q" H: H/ v" p& k6 twithin a body that boasts revolutionary technological advances. The 3D color
3 ?8 A; X4 g* gmatrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
0 c; p, W- E( c; u$ s3 a% d) q  Callows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
. |7 \; e% ?* u1 f  ?8 ewas traditionally captured with medium-format equipment for maximum
  a  m8 I/ |" P4 D+ Vimage quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
7 J( \: e! F/ Tconvenience. Now, my wedding portraiture will have a depth it’s never shown
5 ^# B5 J7 O) Ubefore, and my style of shooting will be enhanced rather than compromised,
8 Z# H) x* t( _* F& L% {  Ethanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
6 j$ A/ q1 T! t, D. V3 [range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
+ ]( X- J3 x1 Q3 E. W0 R6 f( Q9 wAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
  p* Y; Z- R( T) _1 ihas noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
4 P7 g+ _0 }/ w. `! t. b: V$ o: salso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
3 _9 S1 Y5 X. G+ Din such a compact package will open huge creative possibilities for my highquality
prints and video.
; e$ ^+ h% i) B. H- m: eTo me, cameras are more like paintbrushes than technology. The goal is
) a  u9 @4 P8 j0 }8 Fnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
; ^% c4 U' c5 pcountless cameras, I have found a new best friend. It was not love at first
- t+ X+ ^" f) \5 Y! Hsight. The sharpness and detail were initially intimidating, exposing my flaws
+ H. ]' \' w9 l& @like never before. Subtle camera movements showed and differences of
' W7 e  Z1 g2 k2 _1 r$ G1 i9 Hacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
- E: ]1 b( R% ?9 ]" ~  H' W6 {photography and the improved HD video quality and flexibility also add
3 C  V6 Y7 B% f+ h# v0 A7 w8 ytremendously to the camera’s personality. After spending a month with the
) P9 u8 e2 j4 U3 x/ s" u% aD800, I’ll never be the same again. Perhaps the best compliment I can express
4 ]+ ]6 e* E, ]# ]8 Ris that now I will think differently about the images I make.
) P) Q# f4 e/ d( M. [As a modern architectural photographer I am always looking for a lightweight,
, d% m- s$ M! T& U; q  \6 Vcompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
" p4 L& ^" E, |! c9 h! y0 B. Mthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
! K. J) R- b  n6 ~4 M) l- _. Scamera that produces images with such exceptional quality and detail till
4 p6 j. l& F: ~3 snow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
  I- R  a. x* J$ A2 V% E: kquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
) F! q9 V0 t7 }8 Xarchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
  w  a; b$ G' p( F" \clean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
9 Y, H+ G( |5 _: h' hrange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
' T5 S/ e* l3 eFashion (U.S.A.)
: Y. u5 P: `, R" C% n& ~Cliff Mautner
  F# l: B0 ^% u( T. DWedding (U.S.A.)
Jim Brandenburg
Nature (U.S.A.)
Benjamin Antony Monn
* A2 R. p' [+ ^$ ^. h5 QFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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