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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
0 }9 {$ P+ H0 RShoot in RAW and underexpose your image by 1/2 stop to a full stop.
7 Z- y, b% q: [+ L" p+ d XUse the shadow and highlights tool in a RAW software program to
( D- t2 J+ |3 V- k2 r1 brestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
4 y) |) d/ V6 r, L4 Y5 Bmethods provided by RAW and you'll have a correctly exposed black
* s' @0 u7 C6 d* |) v% X. A; u! o4 wand white image.
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2 v: B' F8 D4 T y& VWhite Balance( M. W! Z" w% ?/ f
If in need of a quick white balance tool, you can use a standard
+ y% Y$ W, O! |% ]! o+ |5 pwhite coffee filter. Use the custom camera white balance while aiming1 b8 ~8 T. S" f6 V8 ^
the coffee filter and lens to the opposite of the light source to get white
+ u. ~0 e) { q2 U+ G/ B, Kbalance. I always keep coffee filters in my camera bag for8 T3 l8 U0 h. E1 ^" T- a
such occasions.
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Pseudo ISO Boost
) o1 z9 t8 E) m. GIf you’re shooting in the dark at a concert venue and need more- `. `- a" T+ K( G. q; X
ISO boost from your camera and faster shutter speeds - choose
' s1 J$ g, N. {! ]. Y' J0 Zthe highest ISO setting on your camera and underexpose your image1 x9 z0 K' d" }9 n. _* W
by one stop. Then you can use a RAW processor to overexpose the
7 I6 I% m' m' p# {2 z- p% Vimage by one or two stops. Image noise may be higher but this( u; ^6 G. | n6 R4 d( S
works very well for concert, venue and event shooting. |
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