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This was in a Vistek ad…some cool tips you may want to use.
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3 E, @, F: I: @5 a) [Digital Black and White
% Y0 v4 d. _6 X( @6 CShoot in RAW and underexpose your image by 1/2 stop to a full stop.6 g% @; d' `6 @) x, g' D! x
Use the shadow and highlights tool in a RAW software program to
( c$ a; ?1 x/ Z* G; S7 n1 l, ~restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White$ f3 T% f$ S1 t4 j0 s1 {- p5 j
methods provided by RAW and you'll have a correctly exposed black
2 V8 A* v; K) ^: jand white image.
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White Balance
5 J' d# R. g* _4 S8 ^2 e- aIf in need of a quick white balance tool, you can use a standard8 @0 B. e( A* b- B
white coffee filter. Use the custom camera white balance while aiming' f3 d' Y- }: K* O0 H2 e
the coffee filter and lens to the opposite of the light source to get white( c8 [& U/ u! a' k9 \7 \4 I
balance. I always keep coffee filters in my camera bag for3 G, {( Y' Z+ ]4 I+ ~: p3 _
such occasions.- S4 x" F6 F2 Q" T0 ^2 Q$ x
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Pseudo ISO Boost
7 R# U5 @% _! e; Q/ Q9 | h9 j3 ` MIf you’re shooting in the dark at a concert venue and need more
* I* w' j) h; b: K* S! sISO boost from your camera and faster shutter speeds - choose
u- Y! c" O5 k: wthe highest ISO setting on your camera and underexpose your image
$ B: Y( o+ {- s n' aby one stop. Then you can use a RAW processor to overexpose the
7 H0 C: b5 Y/ ]2 M4 V- N iimage by one or two stops. Image noise may be higher but this
/ K% G) z" z# fworks very well for concert, venue and event shooting. |
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