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This was in a Vistek ad…some cool tips you may want to use.- z, n' n: M( ?
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Digital Black and White
9 ]. d8 `( Y% w: ^% @6 A# j7 m$ l; [* rShoot in RAW and underexpose your image by 1/2 stop to a full stop.
5 i- e6 g) S, H# X2 G- sUse the shadow and highlights tool in a RAW software program to& q; P3 b/ d, e: d& l
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
3 T, C; a! J/ f) ^methods provided by RAW and you'll have a correctly exposed black
+ G, A0 N! O8 v& v$ b: xand white image.0 ~" Z4 y& R# j5 i& w! ~' G& _
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White Balance/ I1 R& O( t, _+ `8 l
If in need of a quick white balance tool, you can use a standard
. p6 y' ~3 N. n! }white coffee filter. Use the custom camera white balance while aiming6 }# p) r e7 s( [& U+ X
the coffee filter and lens to the opposite of the light source to get white
" G7 J( m% v( v sbalance. I always keep coffee filters in my camera bag for/ @* B: B5 o+ s4 c; k4 d% ^
such occasions.1 o P! I1 N( d% w9 g& i
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Pseudo ISO Boost
* p+ G" Z6 R* V3 nIf you’re shooting in the dark at a concert venue and need more
6 F g* r' ]4 f' W7 wISO boost from your camera and faster shutter speeds - choose ! R5 Q2 g8 f( U! i( j2 \3 h
the highest ISO setting on your camera and underexpose your image
* E8 I0 n8 ?* t' dby one stop. Then you can use a RAW processor to overexpose the3 I0 a3 M2 I# D' ?+ d
image by one or two stops. Image noise may be higher but this
o7 n& c% T- k" M/ T, Sworks very well for concert, venue and event shooting. |
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