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This was in a Vistek ad…some cool tips you may want to use.
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" z+ D/ c8 L! SDigital Black and White4 j' z* F p5 \! l, u; s
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.5 u1 D3 [4 w. w! U$ w2 e, _
Use the shadow and highlights tool in a RAW software program to( U* G( d* G; n
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
+ f! f4 A ?+ P9 Pmethods provided by RAW and you'll have a correctly exposed black7 w- Y0 _ `9 J1 D% e3 L5 C
and white image.
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0 H) Y$ f1 n b, DWhite Balance
: q8 Y; q; Z: v& OIf in need of a quick white balance tool, you can use a standard
9 B( N/ n# q) rwhite coffee filter. Use the custom camera white balance while aiming
$ @+ H ]6 k2 V& b# J4 t2 `; Rthe coffee filter and lens to the opposite of the light source to get white
6 u9 \8 m8 ~) B$ Obalance. I always keep coffee filters in my camera bag for
) I2 T! _ v. U& ksuch occasions.
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% ~' j4 ]' x5 j& P8 E/ R4 `5 {) [Pseudo ISO Boost1 Z. O( M7 b9 q3 A0 \
If you’re shooting in the dark at a concert venue and need more
/ K2 t, ]. v2 d; PISO boost from your camera and faster shutter speeds - choose 0 r' v4 K; Z5 |: y u% t7 s9 B
the highest ISO setting on your camera and underexpose your image( q4 G% a* q) k/ I
by one stop. Then you can use a RAW processor to overexpose the
4 h# F1 h' R! K v: g! P. y6 C3 }. simage by one or two stops. Image noise may be higher but this
# y5 R- C0 e# o6 Z0 K( X0 Zworks very well for concert, venue and event shooting. |
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