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This was in a Vistek ad…some cool tips you may want to use.0 G' g7 _: u6 y
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Digital Black and White
% y Z* W% ^( I! s) A7 hShoot in RAW and underexpose your image by 1/2 stop to a full stop. S! k- r b! u7 ~
Use the shadow and highlights tool in a RAW software program to
( \: w9 p Y' ~# T, K4 z' crestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White: t% _) r, f0 j% ?7 ?2 q
methods provided by RAW and you'll have a correctly exposed black+ W2 ~! O( P) H0 Z5 J
and white image.- `( j/ s6 c l3 n9 b
2 _! f; B: d1 U* U" MWhite Balance- c B" Y1 _/ R. v |7 y
If in need of a quick white balance tool, you can use a standard
' K# g9 F9 k( Y0 Z5 C [white coffee filter. Use the custom camera white balance while aiming
: w5 E9 m9 k1 y7 tthe coffee filter and lens to the opposite of the light source to get white9 _' f& M0 j$ r, ~; f1 k
balance. I always keep coffee filters in my camera bag for
% A9 ]9 P$ |. F8 `# n7 T# Tsuch occasions.
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' U& H2 r7 x' y8 MPseudo ISO Boost
! W. H& z, w' E: x7 Z1 I9 F9 ~If you’re shooting in the dark at a concert venue and need more
" g# X4 W+ `2 r6 N$ U& OISO boost from your camera and faster shutter speeds - choose
3 x- \3 I7 P; Y/ ~/ D) ^; @8 Y6 ~2 m; Tthe highest ISO setting on your camera and underexpose your image9 ~5 z$ s9 q. b4 T
by one stop. Then you can use a RAW processor to overexpose the" A: ?7 S3 ?5 @1 d# [4 Z% s
image by one or two stops. Image noise may be higher but this
' v; p+ \% k3 aworks very well for concert, venue and event shooting. |
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