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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White8 Z. D# T6 {, }. t3 z: \
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
) D Z3 I( K+ I; h7 Y {Use the shadow and highlights tool in a RAW software program to4 ?7 w8 A, M X4 L
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
8 F* E" n# C" p4 d ]. cmethods provided by RAW and you'll have a correctly exposed black6 ]6 }+ V* W2 U4 U
and white image.
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White Balance
+ J9 M7 w* U) pIf in need of a quick white balance tool, you can use a standard
( G! I8 F" q6 O% W% D2 bwhite coffee filter. Use the custom camera white balance while aiming4 h# O* Q8 E8 i4 h1 a4 P9 ], Z! o
the coffee filter and lens to the opposite of the light source to get white
& f( P4 N* j* n- `balance. I always keep coffee filters in my camera bag for. |/ Z' A, t% ] f
such occasions.' [# t) A5 \- E
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Pseudo ISO Boost d% s8 Z# S" g; L3 R0 o; x | s
If you’re shooting in the dark at a concert venue and need more) R+ q w5 ~1 \' y; n* Q/ u! f
ISO boost from your camera and faster shutter speeds - choose . | P: N9 }5 H5 y" U3 g4 q( J
the highest ISO setting on your camera and underexpose your image
9 Q! K ~4 _( i' g' ]4 w! aby one stop. Then you can use a RAW processor to overexpose the, @2 l/ @; S, Y* ]3 o/ |& l
image by one or two stops. Image noise may be higher but this
& I! C2 S; g6 w D" J/ V- A, B5 j! V7 pworks very well for concert, venue and event shooting. |
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