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This was in a Vistek ad…some cool tips you may want to use.
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" J$ N) `1 ~8 l9 uDigital Black and White
) ~$ F" g6 o' R2 RShoot in RAW and underexpose your image by 1/2 stop to a full stop.
. e9 i# k5 K" r# `8 EUse the shadow and highlights tool in a RAW software program to9 w/ H0 M" t8 Q" Y b5 y/ u$ e
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
6 Z. h' E2 O7 amethods provided by RAW and you'll have a correctly exposed black
2 u0 Y4 u# _ t4 N, tand white image.
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9 S+ m% O8 E$ O$ G1 `' T! [White Balance
1 c" z5 B6 C! S* bIf in need of a quick white balance tool, you can use a standard' l! U8 a- g) l) m! R
white coffee filter. Use the custom camera white balance while aiming6 S6 r& } I J/ b% {5 _4 G
the coffee filter and lens to the opposite of the light source to get white
; o- N. G' O J2 a. Gbalance. I always keep coffee filters in my camera bag for8 o' H9 P" F$ f) w+ J
such occasions.
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Pseudo ISO Boost( }! m5 E# ^; j+ u( t' d
If you’re shooting in the dark at a concert venue and need more, o/ }6 G' Q9 d4 a$ p
ISO boost from your camera and faster shutter speeds - choose ! F6 m) u9 R& i2 O& ^" Z! d/ m2 P
the highest ISO setting on your camera and underexpose your image
: C' t! `! w7 W" gby one stop. Then you can use a RAW processor to overexpose the
7 Z& y1 T9 U! C8 O3 ?! ?0 Limage by one or two stops. Image noise may be higher but this+ N/ R2 V8 K9 E: a X6 W! R& c5 q
works very well for concert, venue and event shooting. |
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