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This was in a Vistek ad…some cool tips you may want to use.- r5 d8 c8 n* P/ |2 n. ~
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Digital Black and White
- z% K# E- C5 u: G! FShoot in RAW and underexpose your image by 1/2 stop to a full stop.
( y% i3 W0 o$ F1 H0 R, H, P3 tUse the shadow and highlights tool in a RAW software program to
* C: ~$ @6 L1 J1 n. L* L0 }2 jrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White e+ D5 h' b7 a0 `* l. F" n, ?' V
methods provided by RAW and you'll have a correctly exposed black7 w9 y1 K! C9 n8 A7 R$ M
and white image.5 S! O: H& }; |. V" ^/ s! j
% c7 r# g4 n" ]9 Z2 U5 hWhite Balance
& o" W/ V( M0 m' pIf in need of a quick white balance tool, you can use a standard
9 M) }" t e( m2 D, z2 F# twhite coffee filter. Use the custom camera white balance while aiming" M h2 F, w' M' v
the coffee filter and lens to the opposite of the light source to get white- m& E0 s0 c& V9 Q8 H3 c
balance. I always keep coffee filters in my camera bag for0 |, O9 j W$ V$ |: q0 K, r
such occasions.
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# X1 E u6 R# m1 N1 uPseudo ISO Boost
3 [- E) h, r3 ?0 O0 R. qIf you’re shooting in the dark at a concert venue and need more% d! {; _* X4 A4 ?) _0 x4 `5 Y
ISO boost from your camera and faster shutter speeds - choose
r6 z- M) o" r% Qthe highest ISO setting on your camera and underexpose your image/ f( B2 I. ^* e, X3 |0 C G/ R
by one stop. Then you can use a RAW processor to overexpose the
/ b( _+ Y: H/ r% \0 Q2 B. Kimage by one or two stops. Image noise may be higher but this+ c2 ^" P3 B) k: {! ?6 h
works very well for concert, venue and event shooting. |
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