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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White5 j: A/ C6 B G3 J3 T5 a- j" g2 g
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.( |) {; a2 O5 h7 w# U/ s
Use the shadow and highlights tool in a RAW software program to+ p Z l5 t: r
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White2 n/ V4 s8 g( D1 e/ R
methods provided by RAW and you'll have a correctly exposed black
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White Balance! m/ K: f$ `4 S3 u' h8 l" D6 {* ?
If in need of a quick white balance tool, you can use a standard& y& F$ u F# l
white coffee filter. Use the custom camera white balance while aiming
9 L3 |" r7 }* n' {4 u, Bthe coffee filter and lens to the opposite of the light source to get white8 p. J3 V9 e) ?" a$ v, }, |
balance. I always keep coffee filters in my camera bag for- x$ r. B+ |% k7 }8 u
such occasions.
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: g& y, l- O# h" V, P" C3 ^: _& PPseudo ISO Boost! f: \3 G% u. R0 I Z
If you’re shooting in the dark at a concert venue and need more7 s3 a) J# I& d' b6 F F1 a5 j# r9 v! U
ISO boost from your camera and faster shutter speeds - choose 5 t! X. n& Z) h, z, K/ ]
the highest ISO setting on your camera and underexpose your image
) N1 [0 K- l% }) O L+ Qby one stop. Then you can use a RAW processor to overexpose the
. p; }% r/ g# O9 ~5 rimage by one or two stops. Image noise may be higher but this
4 A5 }" R; n4 g0 L* z1 Gworks very well for concert, venue and event shooting. |
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