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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White8 g. `: \; Z8 X) C V
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.2 r: D) f7 t/ {# I: `- h' E
Use the shadow and highlights tool in a RAW software program to
' L( g( @8 z& C8 ~3 u( i5 ^restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
5 n2 T/ V/ \: lmethods provided by RAW and you'll have a correctly exposed black& R( R/ B6 v# Z: q
and white image.
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; m* g; |- Z: J' V4 R) i6 ?* LWhite Balance
5 Y) t5 ~; z- `9 ~If in need of a quick white balance tool, you can use a standard
8 o/ L( N0 A( E, l' h2 hwhite coffee filter. Use the custom camera white balance while aiming
5 {" _2 {+ P' p2 I0 g4 n+ zthe coffee filter and lens to the opposite of the light source to get white% _& l' [) R7 [5 |+ p7 a$ H
balance. I always keep coffee filters in my camera bag for! T/ k b+ A ^* n! |
such occasions.
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Pseudo ISO Boost2 R' O6 x1 ?4 D9 t) W
If you’re shooting in the dark at a concert venue and need more
* m C# a: v* A3 B+ g& iISO boost from your camera and faster shutter speeds - choose 6 G% `) k& U9 l; H# r# D( i
the highest ISO setting on your camera and underexpose your image
" |1 B, }" |$ U8 dby one stop. Then you can use a RAW processor to overexpose the. y+ p- u; ]( C% j
image by one or two stops. Image noise may be higher but this8 I, w+ @/ b3 b. a
works very well for concert, venue and event shooting. |
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