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This was in a Vistek ad…some cool tips you may want to use.- u; I M5 H b
/ x7 M1 E; G: t3 t4 KDigital Black and White
* g8 G! N+ r0 t7 k6 }Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
+ M, d' s& Z- }, C) XUse the shadow and highlights tool in a RAW software program to8 J ?, b' y8 _
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White! v5 a4 [, c9 P4 Y+ ]- C' W: Q1 I
methods provided by RAW and you'll have a correctly exposed black
2 U' c Q x# l8 _! p6 Oand white image.
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White Balance. p5 w% ^) I$ _' Q# `' F7 I
If in need of a quick white balance tool, you can use a standard s( k3 g8 k7 V
white coffee filter. Use the custom camera white balance while aiming$ P5 S; i# x1 v! s! j
the coffee filter and lens to the opposite of the light source to get white
- B( u# I& g8 b( ?/ H. Dbalance. I always keep coffee filters in my camera bag for
: `. Z6 Q( ?. h. osuch occasions.
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Pseudo ISO Boost& W9 s, F3 t1 |0 ?
If you’re shooting in the dark at a concert venue and need more
4 m9 j" ~# ^5 t5 b7 a/ B/ nISO boost from your camera and faster shutter speeds - choose
' Q- Z6 o/ V" M/ I& r! H( Y nthe highest ISO setting on your camera and underexpose your image
5 u9 X5 `; S) K+ R+ aby one stop. Then you can use a RAW processor to overexpose the$ _- o6 B0 z; N5 Q9 Z. q
image by one or two stops. Image noise may be higher but this
: J: k8 m, x; Vworks very well for concert, venue and event shooting. |
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