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This was in a Vistek ad…some cool tips you may want to use.7 T, U& [0 d# n* P" `' c
9 w p: a/ }# I- i; Z: IDigital Black and White
! G6 z$ t3 |6 y: E$ j nShoot in RAW and underexpose your image by 1/2 stop to a full stop.5 l- x( |; y4 \- o3 p
Use the shadow and highlights tool in a RAW software program to! v2 r7 E6 u8 _9 K) y& a' | a- u
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White# l9 @. F/ \4 Q) Q
methods provided by RAW and you'll have a correctly exposed black3 }8 j3 W" K; [' ^% C2 D2 v! ]
and white image.. c. T$ |' I8 `" j6 K" `4 ?
M/ T( @: u0 M# ^White Balance
/ O6 T5 u+ ?/ bIf in need of a quick white balance tool, you can use a standard
: n8 C) w. s. R+ Q4 Bwhite coffee filter. Use the custom camera white balance while aiming3 f3 t7 t3 I7 K9 _$ I( d4 O" i
the coffee filter and lens to the opposite of the light source to get white
; T7 y% Y x% ?balance. I always keep coffee filters in my camera bag for
5 F. r& k* P/ Psuch occasions." b, |% U5 Y( e+ [. y2 a3 h
3 A( b- W8 Y( h1 R, zPseudo ISO Boost# F4 z9 m, _# E6 Z" k. t, X( ^) P
If you’re shooting in the dark at a concert venue and need more
+ j, p7 y' T* h' aISO boost from your camera and faster shutter speeds - choose 9 J: ]* r( C) l$ w8 G
the highest ISO setting on your camera and underexpose your image
7 _- p/ K- i0 P8 L1 h- k- x- c* p! Pby one stop. Then you can use a RAW processor to overexpose the, l" ^- P r+ g( P5 X, h; f! N) ~
image by one or two stops. Image noise may be higher but this# o* {* j9 b; k
works very well for concert, venue and event shooting. |
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