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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
: z9 i4 o+ s* @) A3 H, m4 hShoot in RAW and underexpose your image by 1/2 stop to a full stop.
0 i: S+ ~% B4 S5 `9 \Use the shadow and highlights tool in a RAW software program to6 } |' n3 z) N$ S6 J7 S
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
5 P4 k7 X: Z" ~( a# V. y4 v* |' Qmethods provided by RAW and you'll have a correctly exposed black
" H9 o, q% B& dand white image.
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# y# _9 W' M" o' L+ b' dWhite Balance
' Z# Z; g) F$ AIf in need of a quick white balance tool, you can use a standard' q9 y- k; C8 y; u3 \
white coffee filter. Use the custom camera white balance while aiming$ X2 V6 D( _1 ]2 r4 g4 X' m
the coffee filter and lens to the opposite of the light source to get white
" f8 a1 J2 o; X* B: _balance. I always keep coffee filters in my camera bag for% r' X3 T' t( U/ ^4 _
such occasions./ T" ]# n$ o% z5 Y3 h
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Pseudo ISO Boost
# f' U3 F/ ] l p3 k2 v) D9 `If you’re shooting in the dark at a concert venue and need more% n' u4 R4 o' `" p! A/ \
ISO boost from your camera and faster shutter speeds - choose ; m4 V; c0 o# G4 B+ W( X. K
the highest ISO setting on your camera and underexpose your image7 X: C6 d( d! B @ O$ j
by one stop. Then you can use a RAW processor to overexpose the S( k! Y# x4 W
image by one or two stops. Image noise may be higher but this
. \" w5 b1 d# j, L/ Mworks very well for concert, venue and event shooting. |
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