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At the Christian Louboutin show later that day, designer Karl Lagerfeld focused on full skirts and waists cinched tight with belts that appeared to be 10 inches wide. The skirts -- and, in some cases, dresses -- were often made of lace-like fabric with geometric cutouts, translucent materials and other fabrics covered in crushed silk flowers.. y0 [- q3 m$ k- e5 D6 ?1 ~6 L" z& Z2 v
It was a pretty, genteel collection from a house that specializes in handlouboutin shoes and furs and whose ready-to-wear of-ten looks like a stepchild. This time, the collection had a joyful sensibility.
8 z- L+ D$ }- X. P6 n9 pThe season closed with the Versace presentation Thursday night. The collection recalled one of the most memora-ble dresses created by the late Gianni Versace: the gown worn by actress Elizabeth Hurley that was seemingly held to-gether by giant safety pins. The beauty of the scandalous dress was that it revealed nothing while making the revelation of everything a constant threat.
, g& P5 J$ z. ]6 G2 Y9 M0 w9 k* CThe collection presented by his sister,christian louboutin, Donatella Versace, who now heads the label, used zippers as both functional closures and decorative flourishes. They provided a similar peekaboo effect. On her daytime dresses, which the rest of the world would wear for cocktails, the zippers were open and sculpted into the shape of hearts.
2 E1 U4 f+ j0 c, u3 x o! R) eIn celebration of the house's 30th anniversary, the signature Medusa head was incorporated into illustrations by Julie Verhoeven. In the resulting prints, the heads have been re-imagined in pastel shades and cast against a fanciful backdrop that is more Alice in Wonderland than Gorgon.4 \, Q( `: j2 n" g- K% i1 t; o
The print is used on short dresses with sculpted skirts that stand away from the body as well as on gowns encrusted with crystals at the bodice. It is a collection that speaks to the Versace style, not as it was but as it has evolved in the hands of Donatella Versace. It is proof that just because a house has moved on from its past, it doesn't have to lose its panache.
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% A$ ^; D8 O* n' K Christian Louboutin had enough sparkle on leather
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2 ]$ h1 R Z( u/ c2 o1 K/ N( E One of her strategies is to buy old floor stock, for example
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There is a surprising dearth of women designers in Milan and it shows |
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